Here is the list of winners of the 35th Metro Manila Film Festival which was held at the SMX Convention Center. All of the production awards goes majority to I love you Goodbye while performances was shared by Mano Po and Ang Panday. I love you goodbye from Star Cinema has just started picking up to the box office as their target audience are now back in the city.
1st BEST PICTURE:
Ang Panday (Imus Productions/GMA Films)
2nd BEST PICTURE:
I Love You, Goodbye (Star Cinema)
3rd BEST PICTURE:
Ang Darling Kong Aswang (Octoarts/APT Entertainment)
ANTONIO VILLEGAS CULTURAL AWARD:
Mano Po 6: A Mother’s Love (Regal Films)
BEST ACTOR:
Bong Revilla (Ang Panday)
BEST ACTRESS:
Sharon Cuneta (Mano Po 6: A Mother’s Love)
BEST SUPPORTING ACTOR:
Phillip Salvador (Ang Panday)
BEST SUPPORTING ACTRESS:
Heart Evangelista (Mano Po 6: A Mother’s Love)
BEST DIRECTOR:
Joel Lamangan (Mano Po 6: A Mother’s Love)
BEST CINEMATOGRAPHY:
Lee Meily (I Love You, Goodbye)
BEST FILM EDITOR:
Manet Dayrit (I Love You, Goodbye)
BEST ORIGINAL STORY:
Vanessa Valdez, Kriz Gazmen & Karen Ramos (I Love You, Goodbye)
BEST SPECIAL EFFECTS:
Ang Panday
BEST SOUND RECORDING:
Ang Darling Kong Aswang
BEST PRODUCTION DESIGN:
Ang Panday
BEST MAKE-UP:
Shake, Rattle and Roll XI
BEST ORIGINAL THEMESONG:
“Ang Panday” (Ang Panday) by Ogie Alcasid
BEST MUSICAL SCORE:
Mano Po 6
BEST CHILD PERFORMER:
Robert “Buboy” Villar (Ang Panday)
LIFETIME ACHIEVEMENT AWARD:
Dolphy
CRITERIA FOR JUDGING:
For the Best Festival Picture, the criteria are: Artistry, creativity and technical excellence, innovativeness and global appeal (40%), Box-office performance based on the first three days, from Dec. 25-27 (50%), and Filipino, cultural and/or historical value (10%).
Criteria for Best Festival Performers: Naturalness and depth of acting (25%), proper timing and clear interaction with other performers (25%), consistency of characterization (25%), and logical and effective depiction/projection of the role being portrayed (25%).
Criteria for Best Festival Direction: Effective interpretation of screenplay into film (20%), appropriate pacing of the story and creative camera works (20%), proper motivation of performers (20%), continuity of overall production value (20%), and global competitiveness and entertainment value (20%).
Criteria for Best Festival Screenplay: Creative development of story concept (50%), global appeal and competitiveness (25%), and originality of style (25%).
Criteria for Best Festival Story: Originality of concept and development (20%), social, cultural and ethical values (20%), global acceptability/entertainment (20%), imaginative and credible characterization (20%), and extra-ordinary appeal (20%).
Criteria for Festival Visual Effect: Global competitiveness (25%), creative visual execution and original interpretation (25%), appropriateness and consistency (25%), and precision of timing of computer graphic projection (25%).
Criteria for Best Festival Editing: Logical, effective or smooth pacing of scenes (25%), consistency of flow of story (25%), creativity (25%), and global competitiveness (25%).
Criteria for Best Festival Cinematography: Creative camera movements and lighting (25%), global competitiveness (25%), effective visual impact (25%), and appropriateness and consistency of camera works (25%).
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